Chris brown back to sleep album
They’re just terribly repetitive, clearly not as good as his great.Īnd Brown’s dated take on dance music here could stand to be renovated. Kelly-esque runs, it’s not that these songs are bad.
Soaked in Jodeci vibes and glazed with R. On “Little Bit,” he wants to “put the tip in.” Okay, it’s clear: Breezy loves being between a lady’s legs. On lead single “Liquor,” he wants to “drink and f–k,” on “Who’s Gonna? (Nobody)” he asks “Who’s gonna f–k you like Breezy?” if not the man himself. Where “Sleep” excels as a quality addition to his catalog’s stellar collection of panty-dropping and baby-making songs (see: “Take You Down,” “No BS”), others fall and lean towards prosaic. Chris wonders if she’ll leave him a spare key, but then cautions, “But if you keep the door unlocked, be ready.” It’s a strong start to middling effort. so he too can be healed (“f–k”), then tuck her in for actual sleep. Here, Brown stars, most likely, as himself - fresh off a late night flight into town where, hopefully (but honestly, certainly) a beauty he’s yearning for will stay awake long enough for him to arrive at 3:30 a.m. “Back to Sleep,” the opener to Chris Brown’s seventh studio album, Royalty, begins with 808s that nearly match Marvin’s “Healing” drum pattern, and lyrically, the sentiment mirrors as well.